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This is the story of an un-sung, true to life hero.

Wild Swans Book ReviewThere is a solidity behind Chang's writing, the strength of a woman carrying the weight of the suffering she describes while maintaining sensitivity and clarity. This spirit comes through in different shades from each of the main characters, her mother and grandmother. How these women evolved is a testament to their experiences and the real effect government has on lives. Pain is a centerpoint of the story, apparent on every page of Wild Swans - it is unavoidable and impossible to rationalize. Such is all of history, but China suffered more than its fair share throughout the 20th century.
As the story progresses, the nature of Mao-ist China is further revealed through the juxtaposition of Chang's teenage point of view and her current thoughts. What was lacking and what went wrong becomes strikingly clear although the line between everyday right and wrong, so fuzzed by rampant propaganda and widespread corruption, is only more obscured, but intentionally so. Wild Swans is a crisply told story of China's 20th century, personal in scope but ultimately revelatory on a larger scale.
A Complete Yet Engaging Historical AccountWild Swans is what I would term a "human-interest history," meaning that the dry historical aspect of the book is tempered by the human emotion surrounding the individual events. Jung Chang uses the female leaders of each generation to provide a thoughtful outlook on the traditions and culture of China. For me, the best way to gain a true feel for the attitudes of a specific time period is to hear a personal account. This is the book's most salient quality. Chang makes the most of the little details that encompass the environment of the characters and uses the thoughts and feelings of her family to convey key concepts pertaining to Chinese morals and behaviors.
The concise language of the book also helps to promote these historical images and gives the book a quick tempo. Each anecdote is told in the same, somewhat removed manner, even Chang's own experiences. While some might find this an impersonal tactic, I felt that it allowed the tragedies of the story to shine by basing them purely on their own facets. Any extraneous writing would have clouded the sheer pain involved in a number of the events, and Chang's distance allows the reader to recreate the scene and absorb the historical depth behind it. Chang's own academic experience provides a particularly striking cultural contrast to typical Western thought processes and teachings.
Of course, there are some minor flaws in the book. Chang tends to gloss over her father's upbringing and adolescence and lingers on her grandmother's trials during her youth and during the Communist takeover, resulting in some unbalanced character depictions. Chang's privileged lifestyle prior to and then under the Communists also provides a lopsided view as to the true reign of Mao and the general state of China during the early Communist years. However, bias is to be expected whenever dealing with a personal account, and these deficiencies become lost in the greater framework of the book.
I have learned more from this book about Chinese history than I could have ever hoped to acquire from a guidebook or textbook. I highly recommend this book to anyone planning to travel to China in the near future or for anyone who is looking for an informative, yet entertaining, story of a family in China over the years.
Wild Swans: Educating and EntertainingWild Swans tells the story of nearly a century (the 20th) of Chinese life through the lives of three generations of women, told by the youngest of the three. From the grandmother with bound feet who was a concubine, to the disenfranchised Communist activist, to a brilliant young scholar, you learn an honest and unapologetic history of the country. Since it is told by an insider of the communist revolution, you learn much more than you would from a Chinese history book. You also get a powerful picture of what it was like to live through such a tumultuous time period in a country so rich with history.
It can be devastatingly sad and depressing at times because much of the 20th century in China has more than its share of starvation, torture, murder and deception. But, I was impressed with the voice the author uses. She is sometimes bit


The only author I have read and cannot get enough of.
Fantastic Novel-But of Course!
COOPER HAS OUTDONE HERSELF AGAIN.

Not just for kids. An excellent work
The Light will win..and so will The Dark is Rising
A great fantasy for all ages!

Some interesting characters, some predictable characters
I LOVE this book!My favorite thing about this book is the way you get to feel so close to all of the characters. You follow the life of one girl through WWII. It might sound a little boring but, believe me, this girl's life is anything but ordinary. She is left in a British boarding school while her parents are living in Singapore. She is 14 and starting school in an unfamiliar place. Eventually she makes friends with Loveday Carey-Lewis (silly name, I know) and this changes her life drastically.
As Judith grows she encounters loss, love, and a creepy old guy. It's a book about growing up and, of course, coming home.
Rosamunde Pilcher makes all of the characters seem so real. It is easy to picture them in your mind and even easier to feel for them. Judith is not the only character whose life you get caught up in. There are many characters who we can all relate to. Personally, I think I'm a bit like Loveday.
Anyway, this book is a definite must-read.
Like Coming Home

The Adventures of Alice Could Be Any Dream
ExcellentEnter Wonderland.
Absolutely no plot, no direction, no point. Lot's of silly nonsense but in spite of, or maybe because of this, it is very enjoyable. You literally never know what's going to happen next. After reading this book, I realized just how much my own dreams... Unforgettable characters, who can ever forget the cheshire cat or the caterpillar, jokes, interesting supplementary drawings, and puns keep you on your toes.
This is really not for kiddies. Sure they can read it and maybe even enjoy it, but cannot fully appreciate it. A masterpiece, a classic, but more importantly, an enjoyable experience.
Don't forget to read Through the Looking Glass! Tweedle Dee & Tweedle Dum, the Walrus and the Carpenter, and "Jabberwocky" don't pop up in Alice in Wonderland but Through the Looking Glass. Although "Jabberwocky" didn't appear in the movie, it's still a classic. Finally, an explanation of this ever-puzzling poem! And of course, "I am the Walrus" is one of my favorite all-time songs...
One of those books that you can read over and over again and find something new each time. Definitely an essential. The most fun I have ever had with a book. If you've ever been cursed enough to watch the movie but never read the book, PLEASE READ THIS BOOK! (and for those of you who have read it, READ IT AGAIN! )
Maybe we should be more like Alice...AAIW is about a young girl named Alice whose boring day with her sister is interrupted when a white rabbit runs by her saying, "Oh dear! Oh dear! I shall be too late!" Alice's curiosity is aroused, but surprisingly not to a great degree. This is the first hint to the reader that Alice is not an average child, as she seems to believe that a talking rabbit is quite normal. She does become intrigued, though, when the rabbit produces a clock from his pocket, so she follows it down its hole and enters a world of wonder. I loved the story from this point on. It is filled with such unbelievable creatures and situations, but Carroll's writing style made me want to believe in a world that could be filled with so much magic and splendor. There was never a dull moment in the story, and each page was filled with more excitement. I will offer a warning, though. This story is not for those who like a neatly packaged plotline. It is written in a somewhat discontinuous nature and seems to follow some sort of dream logic where there are no rules. However, I enjoyed the nonsensical pattern. Without it, a dimension of the story would be lost. It offers some insight into the mind of a young, adventurous, fearless girl, and Carroll seems to be challenging his readers to be more like Alice.
The second text in this book, TTLG, is again a story about Alice. In this adventure, Alice travels through a wondrous world on the other side of her looking glass. As in AAIW, Alice again encounters absurd creatures, such as live chess pieces and talking flowers. The land she travels through is an oversized chessboard, which gives this story a more structured plot than AAIW. The chess theme provides Alice with sense of what she must accomplish in the looking- glass world, and it provides the reader with a sense of direction throughout the story. Alice's goal is to become a chess queen, so the reader knows that when she becomes queen, the story will be over. However, just because the story has some structure does not mean that it is not just as wild and marvelous as its predecessor. I enjoyed all of the characters. They seem to have an endless supply of advice that people in the 21st century can still learn from. My favorite example is when the Red Queen says, "Now, here, you see, it takes all the running you can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!" Maybe what Carroll is suggesting is that if we read more nonsensical, unbelievable stories like his, we won't be so afraid to be adventurous and fearless like Alice; so that the next time a white rabbit runs by us, we might just see where it leads us.


ARTFUL READING OF AN ARTHURIAN TALEWhen, during a vacation in today's Cornwall, the Drew children discover an old manuscript in the attic of their rented house, they suddenly find themselves involved in an exciting and dangerous quest. Their very lives are jeopardized as they search for the grail, the one antidote to the power of evil called the Dark. Their Great Uncle Merry is on their side, but much of what he knows he isn't telling.
Ms. Cooper's prose is both concise and thrilling; Mr. Jennings's reading is superb.
Fantasy And Real-Life Drama In One!!The Drew children Barney, Simon, and Jane are on holiday (British term for vacation) in Cornwall England with their parents and great-uncle Merriam Lyon. While exploring a hidden room in the old Grey House in which they are staying, they stumble across an ancient map that throws them into a desperate search for an ancient grail which will unlock power to war against the Dark side. The Dark forces (real life people) are also in hot pursuit of the much-coveted grail that links back to the days of King Arthur and a fierce battle between good and evil that has ensued for hundreds of years.
One chase scene mid-way through is as suspenseful as any that you will find even in adult fiction. Susan Cooper not only is talented at spinning yarns of intrigue, but also adept at creating real life characters that you almost feel you know.
Be sure to read the epilogue at the end for one additional big plot twist!
You will not be disappointed in this one.
Thanks for reading...
TRW
This series is...Wow!!

Even in modern prose, this remains tedious reading.What you should expect with this book is a very good beginning and ending, and a "will it ever end ?" middle. Arthur himself cannot be called the central character, for he is virtually absent, except in the first tale of the book, which deals with his coming to power, and the last one, about his death. The rest of this book is concerned with jousting and tournaments, so much that in the end one gets bored with this never-ending succession of fights with knights whose names you'll only read once and which have no consequence on what is supposed to be the larger plot (such as the quest for the Holy Grail, or the famous Tristram and Iseult tale). Of course, the better-known knights of the Round Table, such as Launcelot, Tristram, and Percivale, are present, but only from time to time, and narration often shifts from one to the other for no reason.
What this book lacks most is continuity. Apart from the first and last tales, everything in between is not in chronological order, which gets confusing. In one tale one character is dead and another is well-known; in the next tale the first character is living and the second one is unknown (just take the example of King Pellinore and Sir Percivale). All tales were obviously separate ones, and the reader, at some point, will simply stop trying to understand how Malory ever came up with such an order for his tales. If Malory (or his original publishers) had any idea in mind when they chose this setup of the tales, it will appear unclear to most readers.
One of the few good points of this book is that, since it was written in the late Middle Ages, it avoids to a certain extent the over-romanticization of the Middle Ages, which is what later authors, such as Sir Walter Scott, did to such an extent that even today we cannot think of the Middle Ages without having in mind the picture-perfect version of it (which I will not delve into -- I'm sure you know what I have in mind). Even though chivalry as described in the book has some romantic elements attached to it, it is never fully exploited, and "Le Morte d'Arthur" certainly does not fit the requirements to be classified into the romantic genre (which was not fully described until the nineteenth century). This book therefore does not use romanticism as we now know it. But this good point may also be one of the book's weaknesses, because the topic is a legend, and not fact. Because this subject is not historically accurate (and some parts of the book are hilariously improbable), Malory could not use realism to replace romanticism, and I believe that if he had used more romanticism in his book it would only have made it better. In the end, Malory used neither style, and this makes his writing style very dry. His characters are mere fighting machines with no emotional depth, his narration is action, action, and action: no description, either of his own characters or of the scenery (a castle is a castle, nothing more). The scenes he depicts cannot be located, for the setting is never described. Malory, above all, was an awful storyteller. He could only describe his characters jousting and fighting, and since this had nothing to do with the larger plot, this only lengthens the book for no reason. (If you want a modern comparison, just think of a public orator who just tells personal anecdotes that are not related to his topic.)
Furthermore, anyone interested in the Middle Ages has nothing to gain from reading this book. It holds no historical interest (apart from a study of the English language, but then I would not go for this modern rendition) for the reason that its subject is not based on fact and its description of society in the early Middle Ages is simplistic. This book is certainly no "Canterbury Tales", in which a lot can be learned about what was life during the Middle Ages. So if you are mainly interested in history I'd skip "Le Morte d'Arthur" and I'd go for "The Canterbury Tales" instead.
In conclusion, "Le Morte d'Arthur" is worth reading only if you have the patience to go through it, for this book is overlong and repetitive. Keith Baines's rendition makes this task easier, and his appendix on the main characters is very helpful if you intend to skip parts (which you should not do because the whole is chronologically inaccurate).
Fie on thee that readeth not these tales!Getting used to the language isn't as difficult as some other reviewers are saying... At least it wasn't for me (and I'm an eighteen year-old high school student). You'll struggle through the first few pages but once you've got an ear for it the language comes natural (somewhat like reading Shakespeare - it takes time to adjust). I found nothing tedious about the book other than the somewhat unfocussed book of the Sangrail.
The characters are awesome, the language is awesome, the plots and emotions are awesome. If you read this from beginning to end you'll walk away with a sincere compassion for the characters and the inevitable death of the times.
I can't imagine bothering with a modernized version - the classic text is just so sweet.
AN EPIC TALE READ IN ITS' TRUE FORM

A Good Book to Read
Cooper's secret message
BORN TO BE WILD. . .

A real life (and tastebud) saver!
Practical, helpful and handy if you have kids!If you have children, the craft and gift recipes alone are worth the price of the book. I'm very happy to have, in one place, recipes for craft dough, slime, brightly dyed pasta for crafts and more. There are excellent suggestions and recipes for edible gifts and making gift baskets, so helpful for teacher gifts, and so fun to make with children. This cookbook is a valued and much referred to part of my cookbook collection. A must have!
Well worth the Beans!Best of all are all the time and money saving tips spread through out the book. I'm even making my own household cleaners thanks to this book. Bottom Line: Not Just Beans is a MUST HAVE for Frugalites everywhere!